Author’s Note and BioThis project is part of a long-term writing process, in which theatre is approached as a space of research, confrontation, and transformation.Writing is not an endpoint, but a stage.The stage becomes the place where the text is...
Read MoreAuthor’s Note and Bio
This project is part of a long-term writing process, in which theatre is approached as a space of research, confrontation, and transformation.
Writing is not an endpoint, but a stage.
The stage becomes the place where the text is tested, shifted, and refined.
This short form is conceived as an opening:
an autonomous fragment, connected to a larger work in progress.
Author Bio
is a playwright engaged in a long-term exploration of theatre as a space of inquiry, transformation, and transmission. His work focuses on the dynamics of memory, fracture, and the ethical responsibility of the individual within collective histories.
Developed through an intensive and disciplined writing process, The Elders and the Sage-Seer’s Grandson is part of a larger theatrical cycle. His approach combines poetic language with structural rigor, seeking forms that remain open, evolving, and responsive to the stage.
He works within a workshop-based practice, where the written text is not considered final, but continually tested, refined, and reimagined through performance. His artistic path has been shaped by a solitary and reflective journey, informing a writing practice rooted in attention, distance, and inner necessity.
