Through irony and playful provocation...Man Devours Man offers a reading of contemporary life, in which time is no longer a neutral measure but a force that consumes, accelerates, and engulfs.
The composition, seemingly light and colorful, translates this tension into a dynamic and fragmented language, where signs and words chase one another without ever finding stability. The work thus stages the frenzy of contemporary existence, transforming the clock from an instrument of orientation into a critical device: an object that, rather than organizing time, reveals its urgency and voracity.
Plywood structure with marquetry inlays created using veneers in different color gradations of maple, sycamore, frisé eucalyptus, figured plane tree, frisé movingui, ash, tanganika, and bolivar.