Noemi’s practice moves across architecture, design, and marquetry, shaping a personal language in which structure and artistic research converge through inlay work. Self-taught since 2018, she has gradually deepened the possibilities of this technique through professional experience, developing a sensitive...
Read MoreNoemi’s practice moves across architecture, design, and marquetry, shaping a personal language in which structure and artistic research converge through inlay work. Self-taught since 2018, she has gradually deepened the possibilities of this technique through professional experience, developing a sensitive approach to material and its structural qualities. In her work, wood is never a mere support, but a living presence, carrying tensions and potential.
Her practice quietly departs from the traditional language of marquetry, exploring its boundaries and subtly redefining them. The ‘deconstruction’ of the material becomes both an act of listening and transformation, allowing the intrinsic qualities of the wood to emerge rather than be controlled.
The process unfolds through a dual fragmentation: of the support and of the image. In this space, form and boundary, figure and ground enter into a subtle dialogue, generating compositions that reflect broader relationships: between individual and collective, organism and environment, gesture and context.
Her surfaces, shaped by active and shifting patterns, give rise to dynamic visual configurations in which each element participates in a delicate, evolving balance. What emerges is a quiet invitation to perception, where the viewer is encouraged to pause, recompose, and enter into relation.
