Condition Blue is an articulated photographic panel composed of original photographs that are digitally cut, enlarged with varying degrees of definition, printed, further cut by hand where needed, and recomposed on plywood modules.
The work starts from images of exposed technical structures and turns them into a cold, active visual system. Blue is not treated as decoration, but as a condition: a state in which transformation has already happened and remains in motion.
The image does not close into a single frontal surface. The panels can be opened, inclined and viewed from different positions, allowing the flow to shift, resist and be perceived in changing ways. An asymmetrical cut and the contrast between a matte central panel and glossy lateral sections become part of the articulated structure.
Condition Blue holds together recomposition, material contrast and point of view, as an image that can remain frontal, or become a physical presence in space.
