After leaving abstract painting behind, my research focuses on the visual recomposition of images and on the way their presence is placed in space, as the continuous possibility of a flow that can change position, point of view and experience.The...
Read MoreAfter leaving abstract painting behind, my research focuses on the visual recomposition of images and on the way their presence is placed in space, as the continuous possibility of a flow that can change position, point of view and experience.
The technique moves from the assembly of original printed photographs, recomposed on panels and articulated modular systems, to photographic recomposition combined with paper collage, where real elements and internal perceptions coexist, at times without fully reconciling, holding their own opposing force and each maintaining its own visual and material autonomy.
In the works, the image starts from the surface, but it may not stop there. At times, the movement remains inside the composition, in the way fragments can be followed or can disturb one another. At other times, it is required by the support itself, which becomes articulated when it accompanies the natural formation of the work.
The works can function as frontal surfaces and, at the same time, as physical bodies to be seen from the side, moved around, or experienced in space. There is no centrality, but flow.
The image is not frontal and definitive: it can become movement, if the viewer wishes.
