I continue with the Into the woods project. Apart from the theme described in the other paintings, I am also interested in the concept of overpainted, understood as an overwriting of time. In this sense, I choose existing images and place them, paint them and mark their margins to create a symbiosis between the past and the present. I let the remains of old paintings glimpse on purpose, just to overwrite the theme and motifs of the theme. Also, I prioritize movement and experimentation over the acquisition of virtuosity.
Continuig with the idea of two coexisting worlds, West and East, which perceive each other and interact, exchanging forms, and understanding, while avoiding the destruction of one in favor of the other, I separated the painting into two sides, connecting them through hair, that works as a veil that allows the two worlds to be glimpsed simultaneously, maintaining a fantastic felling through the characters, thinking that the fantastic exists to the extent that One perceives it as such, as Todorov would say.