This painting belongs to the "Into the woods" project, which, like the first painting of the series, I searched for... Read More
This painting belongs to the "Into the woods" project, which, like the first painting of the series, I searched for a personal language and with an internal resonance. Although in the first painting there were elements that dealt with innocence, danger, stillness, and body control-but not by thought but rather through the wisdom of the matter- in this second one I advanced more towards the discovery of a coreographie, moving more towards a fluid movement characteristic of Italian baroque paintings and alleviating a little the hieraticism of orthodox icons, looking for an internal rhythm that allows to be in harmony from the insideout. There is an improvisation in the colors, as in the brushstroke. I did not give up the observer character, but integrate it under the premise that what is observed is the observer, that is to say, there is no differentiation between the subject and the subject's object of study, as Jiddu Krishnamurti would say. For this reason, the child character observes, is observed and again observes himself.