Some artworks arrive quickly. Others need time to reveal what they already know.
This piece began more than a year ago with four almost identical singularities. Four textured forms, each carrying subtle variations in colour, gesture and movement. At the time, they existed as separate entities — parallel realities sharing the same origin yet evolving in different ways.
The work remained suspended in waiting. Four forms with a living metallic core—almost fluid, vibrant. A breath held in anticipation.
Over time, the four forms began to suggest something deeper: not separation, but connection. Invisible relationships. Hidden correspondences. Meaning emerging beyond linear causality.
Gradually, organic pathways appeared between them, like aerial roots, neural networks, or energetic filaments extending through space and time. These connections do not force the forms to merge. Instead, they reveal an underlying unity that has always existed beneath their apparent independence.
At the centre, a small transparent singularity emerges — a point of convergence, a symbolic origin from which all possibilities unfold.
The work is inspired by the principle of Synchronicity, developed by Carl Gustav Jung in dialogue with physicist Wolfgang Pauli: the experience of meaningful connections that cannot be explained through conventional cause and effect.
Matter and psyche, visible and invisible, form and meaning become different expressions of the same underlying reality.
What appears as four separate worlds is, perhaps, a single event unfolding simultaneously in multiple dimensions.
A single essence.
Multiple manifestations.
Everything. Everywhere. Now.
