Description
The work presents itself as a modular structure punctuated by serial rectangular elements, inserted into a wall grid reminiscent of functional and anonymous architecture. However, the internal surface of these modules is pervaded by an unstable chromatic vibration, where the dominant blue is contaminated by magenta and green interferences, generating a constantly oscillating visual field.
The centre of the image, marked by a circular activation point, introduces a minimal yet decisive discontinuity, an element that breaks the repetition and suggests the presence of an underlying system, invisible yet operative.
The work explores the boundary between order and disturbance, between construction and dissolution. The rigidity of the structure is progressively eroded by a chromatic material that behaves as a signal, rather than a pigment, transforming the image into a transmission surface.
A silent tension emerges, where perception is called upon to question not so much what it sees, but what passes through the image.
Conceptual Notes
This work represents a reflection on how structured systems—urban, digital, or mental—are progressively infiltrated by unstable signals.
The grid is a symbol of control, order, and planning, but within it, a drift is activated, a loss of stability that does not destroy the system, but rather transforms it from within. Color is not decoration, but interference, a trace of energy that passes through the structure and alters its interpretation.
The central point acts as a trigger or critical node, a minimal element from which a broader perceptual variation propagates. It is the place where the system ceases to be neutral and becomes experience.
For the artist, the work is situated in the realm of "interferences", not as an error, but as a necessary condition for making visible what normally remains invisible—flows, tensions, latent transformations.
