Description
The work presents itself as a surface traversed by a dense shower of vertical lines that transform the visual space into a dynamic and vibrant field. The colors—acid green, intense blue, bright red, and traces of milky white—intertwine in a layering that suggests continuous movement, almost a dissolution of form within the chromatic flow. The thin, irregular lines are not simple graphic signs but rather appear to be the result of a flowing process. This insistent verticality builds a visual tension that draws the gaze, as if the image were subject to an invisible force. There is no stable center; the space is dominated by a repetitive, hypnotic rhythm that makes the surface almost pulsate. On the right, a more intense area emerges, where red and blue condense into a more compact chromatic mass. Here, the flow seems to slow, as if the work's energy temporarily condenses before dispersing into the surrounding lines.
Conceptual Notes
For the author, this work represents a reflection on the flow of perception. The vertical lines become a metaphor for visual time. Each mark is a passing instant, a trace of movement that cannot be stopped. The image does not depict an object or a place, but a process. The artist seems to want to capture the moment when perception transforms into experience, when what we see is no longer a stable form but a flow of chromatic sensations. In this sense, the work can be interpreted as a "fall of form." What normally appears defined dissolves into a system of lines and colors that exist only in relation to the viewer's gaze. The image thus becomes a constantly shifting perceptual field, where the image is not something to be recognized, but something to be traversed.
