Invisibody 2.0 is an Immersive Theater, a cross media translation of Italian surrealist Giorgio de Chirico’s paintings. The Greek bizarre is deconstructed, with classic architectural spaces distorted into an enigma and labyrinth. White noise, railways, bells and cosmic sounds create a stereo field, echoing the transition from the mechanical age to our information age. Hard becomes soft, gloomy becomes intoxicated, concrete becomes abstract, and the whole space is a metaphor for the turbulent external environment and the feeling of loneliness and self-lost in the epidemic. The body is both material and immaterial, a reflection of emotion and an echo from afar. Through different media such as sound, movement, silhouette, skeleton, expression, the interpretations of the body are unfolded layer by layer, questioning the relationship between the real and the unreal, the memory, mythology and truth. The Invisibody is free to sense and flow, beyond time and space.
This work has been featured at 2022 Hermes Creative Awards, 2022 Beijing Media Art Biennale, "New Youth" The 4th China Academic Experimental Art Education Documentary Exhibition, 2021 Chengdu Biennale, 2021 Asia Digital Art Exhibition, in collaboration with Jiajian Min.