Untitled (2024) is an installation composed of brazilwood seeds, metal, and paint, where a red egg emerges within layered copper-toned... Read More
Untitled (2024) is an installation composed of brazilwood seeds, metal, and paint, where a red egg emerges within layered copper-toned metal knitting, evoking both a cosmic fabric and an ancestral womb. The work reflects on fertility, origin, and the profound interconnection between humanity and nature through the symbolic presence of brazilwood seeds, elements deeply tied to the cultural, environmental, and colonial history of Brazil. Small yet resilient, the seeds embody memory, regeneration, and survival after centuries of extraction and environmental violence. Suspended between fragility and permanence, destruction and renewal, the installation transforms organic matter into a poetic meditation on collective responsibility, ancestral continuity, and the invisible threads that bind all forms of life within a universal and fractal system.
