Magna is a site-responsive installation composed of black ceramic breast forms connected by natural fibers and metal structures, interwoven with red egg-like elements. While originally conceived on a larger scale, the work can be adapted to different exhibition spaces without compromising its conceptual integrity. The varying dimensions of the ceramic forms create a dynamic landscape of volumes and tensions, emphasizing the physical relationship between nurturing bodies, organic growth, and interconnected systems.
The work explores creation, transformation, and the field of potentialities that precedes the emergence of life. The black clay evokes earth, fertility, and cyclical processes, while the red eggs symbolize origins, gestation, and the mystery of what has yet to become. Joined through a network of natural fibers concealing metal connections, these elements suggest the interplay between visible and invisible forces that shape existence, from biological processes to cosmic structures. Magna reflects on the constant state of change that underlies life itself, proposing a space where nature and culture, the organic and the artificial, coexist within an ever-evolving architecture of creation.
