is work which began with the discovery of indexes evoking memories in documents of everyday life. Even though the use of postcards is gradually decreasing, these objects contain elements that constitute personal memories. The artist seeks to rediscover the shape and arrangement of the index, the starting point of memory, by selecting, reclassifying and reorganizing the images and words of the postcard. The postcards preserved in resin act as a device evoking places of memory and lead the public to find them, read them and rearrange them.
In , blocks of postcard resin are placed between two stones. This set of blocks symbolizes the form of compressed memories and is repeated in the "mise en abyme" created by the reflection of the mirrors embedded in the stones.
The postcards are sorted by location and serve as an index to find the starting point of memories thanks to check marks cut out on the sides. The public removes these fragments of memory one by one to read them, taking them into the time and space of memory.
The public can observe the shared memory space by opening the mailbox.
In the exhibition space, postcards are no longer someone's memories that will be thrown away and disappear, but exist in a space of memories shared and created together through the gestures of the public.
