Dream Residues explores the traces that remain after moments of making, where material carries memories of transformation rather than fixed forms. Created from leftover clay generated through my studio practice, the work embraces fragments that have been repeatedly handled, cut, compressed, and reshaped. Instead of restoring these remnants to a functional state, I allow their accumulated marks and tensions to guide the making process, enabling forms to emerge through an intuitive dialogue with the material. Suspended between vessel, body, and landscape, the sculpture reflects on how memories, emotions, and experiences gradually settle into matter. Rather than representing dreams themselves, Dream Residues considers what persists after they fade—those quiet residues that continue to shape perception and material presence.