The ongoing series depicts landscapes and spaces from the perspective of moving trains. Places appear only briefly, glide past and elude a static observation. The images are created from a sequence of up to 100 individual frames, captured within a matter of seconds. These sequences of images are then superimposed and blended together to form a single image. The result is a condensed interval of time in which several moments co-exist simultaneously within a photographic frame. Movement, change and perception are not frozen, but made visible as a trace. The landscape does not appear as a static view, but as a temporally layered structure. The photographic transition transforms this fleeting experience into an image that reveals the temporal dimension of seeing. The images thus oscillate between photography and time-based perception: they do not show the decisive moment, but rather the duration of a gaze. The series thus presents a photographic representation of the present that is not based on a fixed moment, but on a continuous process. The present appears here as something fluid and unstable – as a state of transition. The images taken from the moving train become visual fields in which time, movement and perception intersect. The images are labeled with the duration of the exposure (S) and the number of frames captured (F).
