The ______ of _______ & __________ 005, 2026
Acrylic and household paint on neodymium magnets and galvanized steel sheet
155 × 105 cm
In this work, paint is released from its conventional dependence on the picture plane. The galvanized steel remains exposed, functioning not as a passive support but as an active field upon which painted magnetic elements continuously migrate, assemble, and disperse.
The painting no longer exists as a fixed composition but as an open system of relationships. Each interaction generates new constellations of form, redistributing authorship between artist and viewer while allowing the work to remain in perpetual transformation.
Rather than presenting a completed image, the work proposes painting as a dynamic framework capable of adapting to continual change. The exposed steel introduces an industrial materiality that reflects the instability, connectivity, and fluidity of contemporary life, where identities, meanings, and relationships are constantly renegotiated. Painting becomes less an object to observe than a living structure through which participation, movement, and collective agency continually reshape its form.
