The _____ of _____ & _______ 003, 2026
155 × 105 cm
Acrylic and household paint on neodymium magnets and galvanized steel
The inherited grammar of painting has long been governed by the taboo of the untouchable surface. This work expands that grammar by making touch, participation, and perpetual transformation intrinsic conditions of painting itself.
Heavy impasto gestures can be touched, rearranged, and continuously reconfigured. Authorship is redistributed as viewers become active participants, generating new compositions through direct engagement.
The work proposes painting as an open, adaptive framework rather than a fixed image. The galvanized steel support becomes a metaphor for an interconnected and unstable world, where meaning remains in continuous negotiation. Touch, movement, and collective participation become fundamental painterly languages, positioning painting as a shared space of agency, imagination, and perpetual transformation.
