A study in colour as structure. Yellow, red, and black are not background choices but the primary vocabulary of the image — each element existing in deliberate tension with the next. The figure becomes a formal element within a chromatic composition, where texture introduces the only interruption to an otherwise graphic world. Primary Colours asks what remains when fashion is stripped to its most essential signals.
Part of Primary Colours, a series exploring the intersection of photography, digital intervention and physical image-making.