This kinetic sculpture depicts one possible form of a father-son relationship. At the same time, it seeks to explore the fundamental conditions underlying this type of relationship. The two roles are represented as a ‘bracket’ (father) and a ‘spool’ (son), which are intertwined by a rubber cord from an old fitted sheet. The upper part of the holder describes the predestined nature of the relationship, whilst the lower part leaves open the possibility of its finitude.
The forces within the system act with their own specific intentions: the eccentrically positioned spool attempts, through its constant self-propulsion, to extricate itself from the entanglement, whilst the inert holder promises ‘support’ yet appears to be dependent on the constellation. The screw, which has been screwed in too deeply, illustrates the sole reaction of the bracket, which is somewhat overwhelmed. This inability leaves its mark. Using two old farm chairs, I shaped and emphasised this dialectical interplay of the father-and-son relationship. The two parties are ‘cut from the same cloth’, yet in their respective positions they pursue goals that clash with those of the other. The systems of our society appear to function; on closer inspection, however, one often encounters a lopsided structure that strives, with tireless effort, to restore its balance.
This imbalance creates signs of wear and tear that call the system’s future into question.
