In the series of portraits titled ID (Identity) Robert Szczerbowski references, ubiquitous facial recognition technology. He expands on the motif... Read More
In the series of portraits titled ID (Identity) Robert Szczerbowski references, ubiquitous facial recognition technology. He expands on the motif of the pixelated image, which first appeared in his Self-Portrait from 2002. The artist broadly explores the topic of identity across various social media.
The paintings are acrylic on canvas in grayscale and composed of pixels, so that when viewed up close, they appear almost abstract and formless, while from a distance (or viewed on a mobile phone screen), they form a portrait.
Twin Study 4 is one of a series of paintings that explore identity from the perspective of a twin being.
