The painting depicts symbolic silhouettes of a man and a woman, where gender is blurred by the poor image resolution.In... Read More
The painting depicts symbolic silhouettes of a man and a woman, where gender is blurred by the poor image resolution.
In the series of portraits titled ID (Identity) Robert Szczerbowski references, ubiquitous facial recognition technology. The artist broadly explores the topic of identity across various social media.
The paintings are acrylic on canvas in grayscale and composed of pixels, so that when viewed up close, they appear almost abstract and formless, while from a distance (or viewed on a mobile phone screen), they form a portrait.
