Interstice investigates the condition of transition as a fundamental aspect of contemporary existence. The work focuses on the threshold between... Read More
Interstice investigates the condition of transition as a fundamental aspect of contemporary existence. The work focuses on the threshold between opposing states, where dissolution and emergence coexist and where transformation remains unresolved rather than complete.
At the center of the composition, a suspended form occupies a space of tension and possibility. Neither fixed nor fully defined, it evokes a state of becoming in which established structures are destabilized and new configurations begin to take shape. The painting does not depict a conclusion; instead, it examines the productive uncertainty that accompanies moments of change.
Abstraction is central to this inquiry because transitional states resist literal representation. They are experiences characterized by ambiguity, instability and potential rather than by clearly identifiable forms. Through layered surfaces, fluid gestures and shifting spatial relationships, the work creates an open field of interpretation in which viewers may encounter their own experiences of transformation. Interstice proposes that meaning is often generated not at points of arrival, but within the spaces that exist between endings and beginnings.