"Filtro de louça" depicts an industrialized suport for filtered water, an object very common in Brazil, especially in Paula's region – the Northeast. By painting images representing the everyday objects, Siebra draws what we can perceive not only as an arsenal of domestic life, but also as a new way of looking into bannal instruments that gain another dimension when took from the reality they commonly exist and are put into a more silentful, empty context.
