Voldemort” was created in Berlin during late-stage winter Covid.
It was a time of potent dreams, barely remembered and strongly felt.
Levys' embodied Practise rejects the separation of body/mind and values intuition, sensation and physical experience equally with intellectual analysis.
She produces work through doing, feeling, moving and research.
Technically she has developed a visual vocabulary that maps emotional and physical terrain, layering experience, stories and imagery.
The delicately layered remnants form series of interior allegorical landscapes, informed by an interweaving of memory and the immediately surrounding landscapes physical, intellectual and sensual.
Materially the works use pigments, oil and acrylic in order to stain the landscapes onto the substrate.
Travel also, is central to her practise, dislocation and temporality, immersion in the experience of the outsider, deep observation and interpretation her most instructive ouvre.
Levys long-term meditation and yoga practises, research and practical applications of movement and ritual have become central to communicating a ritualised perspective, one that offers in the resultant object a space for the mind to expand, an invitation to step into an experience “outside of”.
