Sara [A-type] centers on a rented sex doll in a Tokyo love hotel, serving as both subject and surface for a speculative fiction. The film explores a glitch in systems that commodify intimacy, repositioning Sara from a passive object into an agent of resistance. Through stop-motion, her silicone body gains uncanny autonomy, communicating through silence and sensation. In reclaiming her function, she disrupts anthropocentric power structures, asking: What happens when a body, designed solely to be used, begins to use herself—finding not just autonomy and pleasure, but liberation through the very act of orgasmic masturbation?