To what extent the historical roots of the masks can be reflected in our present moment? In this video I... Read More
To what extent the historical roots of the masks can be reflected in our present moment? In this video I put myself on stage using different masks in order to question the links between identity, memory and visual perception. By adopting a confessional prism, I try to point out to the implicit transition that the voice, the rhythm, the frame and the mask can produce as therapeutic temporality. I ask the question of the formation of my own subjectivity, having undergone the architectural transformation of my hometown (Skopje, North Macedonia) in the recent past. The project entitled “Skopje 2014” masked the modernist city of Skopje (the architectural project of Kenzo Tange) into a wonderland of a neo-classicist fantasy.