The theme of time and space is the relationship that has always been established between place and identity through representation, the architectural place is a sort of concretization of existential space, understood as a psychological concept that indicates the patterns identified by the individual in the interaction with the environment.
There is an isomorphic relationship between the two types of space, which is however denied by reality.
The shape must create harmony between man and nature, build a new system in balance between the built and natural environment through the integration of the various man-made artificial elements and the natural ones of the surrounding environment.
All become part of a single interconnected organism, architectural and existential space.
The concept of space not only as an element in which to move and exist, but also as a projection of different generating tensions, introduces language into the flow of events making it precarious and subject to metamorphosis in close harmony with the ability of the work on display to activate participation of the user and to transform places into sensitive spaces.
I carry out an analysis on the aesthetics of space by trying, through different paths and languages, to probe the possible alterations of the environment: from the tangible to the immaterial, from the private to the social dimension; from the relationship with architecture and with the observation of the neuroses of contemporary society.
Knowing how to recognize ourselves in that moment, knowing how to give continuity and value to everything around us, which becomes action in daily life, being involved because our life continuously loses meaning and we constantly need to find another one, we need to activate new territories that thanks to art become visible and livable with our body, areas of passage where energies and relationships dematerialize the value of matter and technique.
The journey, understood as an element that breaks the monotony of life and leads the individual to always confront new realities, constantly looking for a new form of existence that can remove the danger of boredom. The journey takes on the supporting function of a true teacher of life: it is not intended only in the material form of physical displacement but also as a virtual one for abandonment to pleasures.
All this, however, is presented not as a process of degradation, but as a search for the primitive instinct of innocence and human creativity now lost and suffocated in the conformism of modern man.
We are inhabited by the world and this makes it difficult for us to inhabit it in a proper and complete sense.
The aim is a continuous conversation between inside and outside, in a harmonious relationship of forms and thoughts.
We can identify the concept of inside and outside of the soul, the outside of the soul as the appearances of the everyday world in which the contemporary man and woman are immersed: the people of our time, we, yourselves, considered in the relationship with the existential condition, with the livable space, of relationship, but still more, or, even better, with the internal, psychic space, with the pulsating intimate part, the inside of the soul that pushes into the body, stretches its expressive surface, dictates the time of action, the reflective stasis, the , the gesture.
A single existential sphere that dialogues with the inside and the outside that is realized in space thanks to the material worked and used by the artist's needs.
The constant alternating repetition of lightness and heaviness, an unwanted achievement of the absolute perfection of the form, the imperfect form and its own synthesis.
Message of love and positive energy shows us in full light, as well as in full sensuality, the truth of being laid bare by the discovery of its organic belonging to the atemporal dynamics of the universe.
A way to rediscover ourselves, to understand our deep identity, to establish a right relationship with that whole from which we come and thus be able to better live our journey of life and our present.
It allows those who want to deepen these images to free themselves from matter and time, to transcend the conventional sense of things, to pass from the tangible to the inaccessible, to open up to the unknown and infinity, to rise towards another type of knowledge. and to profit from the experience of billions of men who have preceded us.
Sculpture is not limited to form but the aim is that it transcends it, entering into direct relationship with the observer.
