This work explores the delicate balance between tension and release. Suspended in space, the textile form exists in a state of uncertainty, embodying the moment between entrapment and dissolution, where memory remains active and unresolved.
My practice explores the relationship between the body, memory, and subconscious processes through textile sculpture, painting, and spatial installation.
I am interested in the tension between what is consciously perceived and what remains beneath the surface—sensations, emotional sediments, and embodied memory. I understand the body as a fundamental system of perception, constantly processing and translating external stimuli into internal states, often beyond the realm of conscious control.
Working with fiber allows me to construct organic, evolving forms that behave like living systems. In my practice, matter is not a passive medium but an active participant in the formation process. My works are not static objects but states of accumulation, transformation, and internal tension.
The creative process functions as both a form of creation and a way of knowing—a method of engaging with reality and the subconscious. It becomes a space for knowledge production, where intuition, matter, and perception interact. For me, creation is a constant negotiation between control and dissolution, structure and instability—a process of self-transcendence that occurs through matter.