What I am exploring now is about extendibility and possibility of painting media: besides discussing the possibility of the extendibility of art making, I made many different attempts in media, just like extending this subconscious form from random color blocks on a palette and then changing this form into pen strokes while seeking colors in images, and combining this concept into so-called dynamic painting. I applied this concept to the object, for example, how to see the object as a single color and how to cast off original implications from the object and change it into a pigment for creation. Meanwhile, in the process of art making, after casting off meaning from the object and seeing it as a single hue, I integrated the object with a long-established concept of painting and an exceedingly perceptual composition model, and then offered a platform to allow viewers to view the variability of object form in this composition.