‘My Dog Does Not Pee on Fake Grass’ is a quiet act of refusal.
In a green that suggests nature while exposing imitation, the work confronts artificial environments and imposed behaviours. The statement is both literal and symbolic — a resistance to adaptation within conditions shaped by fabrication rather than instinct.
The piece speaks to authenticity, instinct, and the friction between natural impulses and constructed realities. Its humour is disarming, yet its critique remains precise and unflinching.
This is not about a dog.
It is about what refuses to conform.
The physical original is retained within the Saabi archive for exhibition, curatorial, and institutional presentation. Its corresponding 1-of-1 NFT Echo, minted on OpenSea, serves as the canonical collectible work — a singular digital provenance intrinsically bound to the piece’s conceptual identity and quiet defiance.
Open edition prints accompany the work as a wider public offering, extending the visual language of ‘My Dog Does Not Pee on Fake Grass’ into domestic and everyday spaces. These editions carry the same tension between instinct and artificiality while the NFT Echo remains the definitive collector’s artefact within the Saabi ecosystem.
An imprint of refusal that can be carried, but never conditioned.
Properties: Acrylic · Mar 2026 · L180cm W40cm
Part of the ‘Urban’ collection.
Urban is a study of contradiction — softness against speed, intimacy against exposure, instinct against artificial order.
Working with acrylic yarn, Saabi transforms a traditionally domestic craft into elongated, almost confrontational forms. Each piece stretches 180cm x 40cm, echoing the verticality of city life — banners, bodies, advertisements, signals — occupying space the way language does in an urban environment: immediate, fragmented, and unapologetic.
The collection explores how identity is constructed and performed within contemporary culture — through desire, acceleration, consumption, resistance, and the negotiation between authenticity and performance. The titles function as interruptions: overheard statements, private thoughts, quiet acts of refusal. Together, they anchor each work within a distinctly contemporary psychological landscape.
Humour appears throughout the collection, though sharpened by tension. Softness exists within the material, yet carries a confrontational presence. The tactile surface of yarn contrasts with themes of velocity, commodification, artificiality, and emotional exposure, creating a persistent friction between comfort and unease.
These works do not seek resolution.
They hold contradiction in place.
Each work in Urban exists simultaneously as a physical textile piece, a one-of-one NFT Echo, and an accessible public image through open edition prints. The physical originals are retained within the Saabi archive for exhibition, curatorial, and institutional presentation, while each NFT Echo serves as the canonical collectible work — a singular digital provenance intrinsically bound to the conceptual identity of its corresponding piece.
The open edition prints extend the visual language of Urban into wider everyday spaces, allowing the collection to circulate beyond a single collector while preserving the singular status of each NFT Echo within the Saabi ecosystem.
Together, the works form a fractured narrative of contemporary life — where speed, desire, authenticity, and resistance collide within a reality that continuously shifts between the constructed and the real.
