‘Fast Cars’ captures velocity without movement.
Rendered in a saturated orange, the piece pulses with the psychological tempo of acceleration — desire, urgency, the need to move forward without pause. It references not the object itself, but the condition surrounding it: speed as identity, as escape, as performance.
The elongated format mimics a stretched timeline, where moments blur and intention dissolves into momentum. The softness of acrylic yarn contrasts sharply with the concept of speed, creating a tension between material and meaning.
This is not about cars.
It is about the compulsion to keep going.
The physical original is retained within the Saabi archive for exhibition, curatorial, and institutional presentation. Its corresponding 1-of-1 NFT Echo, minted on OpenSea, serves as the canonical collectible work — a singular digital provenance intrinsically bound to the piece’s conceptual identity and existence.
Open edition prints accompany the work as a wider public offering, extending the visual language of ‘Fast Cars’ into everyday spaces. These editions carry the same atmosphere of momentum and acceleration while the NFT Echo remains the definitive collector’s artefact within the Saabi ecosystem.
An imprint of acceleration that can be carried, but never slowed.
Properties: Acrylic · Mar 2026 · L180cm W40cm
Part of the ‘Urban’ collection.
Urban is a study of contradiction — softness against speed, intimacy against exposure, instinct against artificial order.
Working with acrylic yarn, Saabi transforms a traditionally domestic craft into elongated, almost confrontational forms. Each piece stretches 180cm x 40cm, echoing the verticality of city life — banners, bodies, advertisements, signals — occupying space the way language does in an urban environment: immediate, fragmented, and unapologetic.
The collection explores how identity is constructed and performed within contemporary culture — through desire, acceleration, consumption, resistance, and the negotiation between authenticity and performance. The titles function as interruptions: overheard statements, private thoughts, quiet acts of refusal. Together, they anchor each work within a distinctly contemporary psychological landscape.
Humour appears throughout the collection, though sharpened by tension. Softness exists within the material, yet carries a confrontational presence. The tactile surface of yarn contrasts with themes of velocity, commodification, artificiality, and emotional exposure, creating a persistent friction between comfort and unease.
These works do not seek resolution.
They hold contradiction in place.
Each work in Urban exists simultaneously as a physical textile piece, a one-of-one NFT Echo, and an accessible public image through open edition prints. The physical originals are retained within the Saabi archive for exhibition, curatorial, and institutional presentation, while each NFT Echo serves as the canonical collectible work — a singular digital provenance intrinsically bound to the conceptual identity of its corresponding piece.
The open edition prints extend the visual language of Urban into wider everyday spaces, allowing the collection to circulate beyond a single collector while preserving the singular status of each NFT Echo within the Saabi ecosystem.
Together, the works form a fractured narrative of contemporary life — where speed, desire, authenticity, and resistance collide within a reality that continuously shifts between the constructed and the real.
