The Fragments series began with the study of Palestinian tatreez embroidery during the 2019 Covid Pandemic. Studying online with the American-Palestinian researcher/artist, Wafa Ghaniam,... Read More
The Fragments series began with the study of Palestinian tatreez embroidery during the 2019 Covid Pandemic. Studying online with the American-Palestinian researcher/artist, Wafa Ghaniam, I learned about the historic patterns and motifs of the different villages as well as the history and culture of Palestine. My interest in motifs and embroidery led me to the study of vyshyvanka, a Ukrainian technique that I began to study just prior to the current conflict in Ukraine.
I looked for a way to incorporate these techniques in my practice; celebrating the traditions and working and an ally for these communities.
I have combined textile and ceramic techniques to interpret these designs and create a space to discuss the fragility and resilience of cultures around the world.
I am continuing this practice studying the textile traditions of other cultures in conflict areas.
Process:
The ceramic base is formed and holes are made in the leather hard clay. Underglazes are painted on the clay to create the design; the piece is then broken into fragments and fired in the kiln. Holes are drilled through the glaze and areas are stitched using embroidery thread, wool yarn and threaded beads.
