Hell's Kitchen picks out some unsettling sensory moments in the new
colony. There are skirmishes and outright battles between the Aboriginal
clans and some of the white settlers. In a nod to Hieronymus Bosch, a
giant ear listens in fear in this strange land, while the newly built
windmills whoosh violently through the air - signalling that the
industrial revolution has arrived in Sydney. A figure lies either drunk
or dead, another leaves the colony in search of hope, and a judge lords
it over the convicts. In the foreground a woman sits like some exotic bird. The experiment in Sydney Cove has a dark monstrous
side, while in the blackness of night soldiers, convicts and marines
alike steal food from both public and private gardens despite fear of
death.