Acrylic and photo-paper on canvas.
A photograph of two poles on the street covered by graffiti is incorporated into the painting. A picture of Mona Lisa was added to one of the poles, with the intention to juxtapose two utterly different expressions of painterly activities -- the graffiti used on the streets these days and the ideal of the 16th century art -- and to create a tension between them. The interpretation is left on the viewer.
