The Greeting reflects on the spaces where relationships of care, memory, and transmission are formed. Through an apparently ordinary scene,... Read More
The Greeting reflects on the spaces where relationships of care, memory, and transmission are formed. Through an apparently ordinary scene, the work explores how the most discreet gestures can carry intimate narratives and presences that extend across time.
The figures, objects, and domestic space do not function as elements of illustration, but as a constellation of presences in which each component contributes to a material memory. The overturned easel, the painter’s palette, and the crocheted doily become witnesses to a history shaped by invisible labor, affection, and continuity. The studio and the home merge, revealing creation as a practice rooted in everyday life and in relation to others.
This work belongs to The Mending, a series that considers repair not as a restoration of what has been lost, but as a way of inhabiting the traces left by time. Through female figures, familiar objects, and gestures of care, the series explores a memory in constant transformation, where the past is not erased but continues to shape the present.
