Ink and mixed media on hanji, mounted in welded aluminum frame
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ABOUT THE WORK
Material: Korean paper,Aluminium
The view is the artist's own residence in Singapore, seen whole. Lines of latitude and longitude cross the surface, faint... Read More
The view is the artist's own residence in Singapore, seen whole. Lines of latitude and longitude cross the surface, faint and exact, marking a position without naming it. Ink moves through hanji the way water moves when it adapts rather than yields — settling, gathering, finding its shape inside a boundary it did not draw but has come to inhabit. Along the edge, the blade's triangles run in a row, each cut the same, each tear its own — reason's hand meeting paper that will only partly obey. The paper drinks the surface; the aluminum surrounding it resists, holds its line, ages by no measure but its own. Where the ink ends, the frame continues — not as a boundary but as an extension, a finite dwelling reaching outward into a structure that does not end. Abstraction, not simplification: the building does not disappear into geometry, it is distilled into it.