Safe at Last speaks of withdrawal as an act of protection. As human beings, we are constantly exposed, observed, and... Read More
Safe at Last speaks of withdrawal as an act of protection. As human beings, we are constantly exposed, observed, and evaluated; as a consequence, turning inward can become a way of preserving one's identity.
The figure folds into itself, enclosing its body in a gesture of defence and self-preservation. Suspended in an undefined space, it no longer confronts the outside world but seeks refuge within its own boundaries.
Whether this refuge represents healing or merely a temporary shelter remains deliberately unresolved.
