The RESONATOR project is an attempt to confront an artist
with a situation in which he finds himself or arranged himself, for example, in
a studio, in a city park with the help of actors of the theater of movement or
in the third edition of this project in the scenery of forests and lakes.
Resonator II was completed on September 11, 2016 in cooperation with the House
of Culture in Sochaczew (Poland). It was an action painting combined with a
spectacle in the youth theater in the Sochaczew urban area. During the dynamic
choreography, the image was created live. The picture was a resonance generated
by the activities of the theater group. As a result of 20 minutes of action a picture was
created measuring 8m x 2m.
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My image is Description.
Each picture is created in a different context. It is a description of the state.
A constantly changing, dynamic situation in which I try to find myself with the awareness that the status quo does not exist.
I am invariably interested in the fluctuation of matter, its non-obvious status is often a resultant in relation to the surrounding context, which, however, is the subject of
to the same rights.
The peculiar truth of light and color, indeterminacy, relativism and the mystery of our perception are just some of the concepts that constantly drive my activity and imagination to actions. The last word will never be spoken. This is not the point. This is happening. This is a process creating. Description for here and now. This is a mystery for which a metaphor is needed.
That's why I paint. Others write or compose. [...] about love and constant enchantment with our fragile condition. Eros and Thanatos. Let it happen.
My painting is a continuation of the "story" that has been going on for many years
years. I started a series of diplomas entitled "I'm Coming Out of Black as Out of Egypt" (1994). The next series were INSCRIPTIONS (1995-2015), RECORDS (2003-2006); THE VIEW OF THE GARDENS (2005-2009); PHOSPHOROS (2016); RESONATOR I-III (2016-2017); ABSTRACTED LANDSCAPES (2017); LINEA (2020-); RAPSODIES (2021-)
Since I have been painting and searching consciously, I am convinced that I am a continuator of many predecessors in the field of painting search. I am not thinking of continuing styles, but rather of applying many of my predecessors' discoveries to create from
the distance of one's fingerprint - one's own fingerprints in the area of one's travels around the world, getting to know oneself, discovering one's own identity, but also in the matter and form of painting. To say that many have already been here does not discourage me from being active, quite the contrary. Then I answer: but I have never been here, so I will leave a trace. My own print. My fingerprint.
A trace of an artistic search for my identity.
Watch the recording:
https://www.youtube.com/watch?v=QpOitNkAAv4