This work consists of a main panel (91 × 72.7 cm) accompanied by circular elements arranged as a variable installation. These circular elements, positioned around the main panel, are also constructed by mounting Japanese paper onto wooden supports and are adorned with delicate geometric patterns, executed in the same meticulous manner as the main panel.
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Based on the philosophy of panta rhei proposed by the ancient Greek philosopher , this work abstractly explores the relationship between stillness and transformation through the use of ink and Japanese paper.
The work visualizes the idea that all existence is in a constant process of generation and change through the flow of brushstrokes, the diffusion of ink, negative space, and the repetition of floating circular forms. The sense of movement within the composition suggests transformation not as loss, but as an intrinsic cycle of life itself.
The repeated geometric patterns — circles, triangles, squares, and crosses — function as universal symbols that reflect my inner sensations and psychological traces. At the same time, these forms evoke a sensory resonance that transcends culture and time.
Because geometric patterns do not possess fixed interpretations, they invite viewers to project their own memories and emotions onto the work, generating new meanings and dialogues. Through the subtle fluctuations of ink and the quiet presence of empty space, I seek to explore the invisible layers of time, presence, and the essence of continual transformation.
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Although only a limited number of detail photographs can be presented, the surface of the work is composed of countless hand-drawn geometric motifs—circles, triangles, squares, crosses, and other forms—rendered with meticulous care. For me, these delicate patterns are like threads of emotion hidden within us. By drawing and weaving them together repeatedly, I seek to give form to subtle inner sensations and feelings that cannot easily be expressed in words.