Painted on recycled wood panel, #lovenature is a cynical critique of modern environmental narcissism. The work depicts a central figure captured in the act of taking a smartphone photo, perfectly framed against the iconic peaks of the Dolomites.
The vibrant, acidic palette creates a "filter-ready" aesthetic that masks a grim reality: the protagonist stands atop a pile of slaughtered livestock—pigs, cows, and poultry—symbols of the industrial exploitation that sustains our lifestyle. While the background celebrates the "sublime" of the mountains, the foreground reveals the heavy price of our consumption. The title, stylized as a social media hashtag, highlights the disconnect between the performative "love for nature" showcased online and the destructive indifference of our daily choices. It is an invitation to look beyond the screen and face the blood on which our postcards are built.
