The naked bodies are superimposed and overlapped, as if there were
no gap between the people, as if they were one.
But for the overall colour scheme I used red and black, which are
"disturbing" and "dangerous".
The black lines are like Medusa's long hair, the thorns growing wildly, or
the neurons in the brain that receive stimulation, generate excitement
and transmit it. ...... The various elements combine to create a sense of
unease and excitement, so that intimacy is, in my opinion, a
contradiction.
I became interested in the concept of intimacy through my own
experiences and the books I read.
When I was younger, I idealised intimacy; loneliness was innate, people
often craved intimacy with other people, and I had a passionate
personality that wanted perfect intimacy.
But as I experienced reality, I became acutely aware that the more
intimate I became with others, the greater the danger, not only to my
partner, but also to my family, friends and so on.
I felt the reality of various intimate relationships falling apart one by one,
and the failure of intimacy was accompanied by endless self-doubt and
vulnerability. Fortunately, in the days that followed, I faced the conflicts
head on and continued to grow and reflect.
Today, despite constant self-reflection, I remain passionate and positive,
sensibly pursuing real, genuine relationships and conflicting emotions. I
put my experiences and inner changes on canvas and at the end of last
year I painted my latest series of works on the theme of intimacy. I
remain true to my personal style, passionate and bold, while complex
and conflicted feelings are clearly visible in the paintings.
