INTERFERENCE N°2
Is the second chapter of a reflection on interference as a force that traverses, distorts and redefines human existence across its entire arc — from birth to death.
If in INTERFERENCE N°1 the fetal figure lay suspended at the boundary between two worlds, still intact in its primordial vulnerability, here that same vulnerability has transformed: the body has lived, has been traversed, consumed. Two skeletal figures — anatomically exposed, real or belonging to some unknown tribe — confront a newborn lying helpless, against a red-orange background that burns like an open wound or like the heat of an incandescent origin.
The diagonal yellow band returns — a serial and recognizable element — as the signature of interference itself. It is no longer a force falling from above onto a nascent life: it is now a blade cutting through bodies already marked, already compromised, already transformed by time and by the systems that have inhabited them. Interference is not a singular event: it is a continuous, layered process that leaves visible traces on flesh and identity.
The dominant red is not merely color: it is urgency, it is blood, it is life burning. Against this blazing background, the contrast between the newborn — still grey, still alien to the world — and the skeletal adult figures constructs a dialogue between what we once were and what we become as interferences accumulate.
INTERFERENCE N°2 speaks of transformation as erosion, of how external forces — social, cultural, biological — do not merely interrupt life at the moment of birth, but continue to rewrite it, deform it, hollow it out and fill it with new meanings throughout its entire course.
Together, INTERFERENCE N°1 and INTERFERENCE N°2 form a diptych on the human condition: from origin to outcome, from potentiality to transformation, from the silence of the not-yet to the noise of the already-been.
