INTERFERENCE n° 1

INTERFERENCE N°1

Is a painting that investigates the fragile threshold between origin and dissolution, between the organic and the constructed, between light and void.

At the center of the composition, a fetal figure lies at the boundary between two worlds: a dense and turbulent darkness above, and an arid expanse below. The figure is simultaneously falling and suspended, gathered in the primordial posture of becoming, yet anchored — or perhaps constrained — by a bold diagonal yellow band that cuts through the pictorial space with geometric violence.

This yellow element — sharp, artificial, almost architectural — represents the interference of the title: an external force, a system, a structure that intersects with the natural trajectory of life. It is the intrusion of the rational into the instinctive, of the social into the biological, of control into vulnerability. The white cord that extends from the figure across the sandy ground reinforces the umbilical metaphor — a bond with something unresolved, a thread of origin that has not yet been severed.

The work speaks of birth as interruption, of existence as a negotiation between what we are and what is imposed upon us. The landscape — neither earth nor sky, neither safe nor hostile — becomes a liminal space in which identity is still undefined, still possible, still at risk.

INTERFERENCE N°1 is the first chapter of a broader reflection on the invisible forces that shape human experience from its very beginning.