In the name of

I reframes images from the collective unconsciousness, transforming superheroes in hybrid creatures. Their bodies inhabited, are surrounded by a revealing emptiness. Through these mutant images, a real multiple reveals itself, mixing metaphysics, initiating quest...

I question the status of mankind, almighty in its assets and certainties. Its relation with prohibition and enjoyment. Divergences, convergences between science and religion. The machine becomes where word can be heard. God in man, man in the machine.

I paint inspired by Diego Velasquez's painting "The Crucified Christ" introduced into the body of a sexy humanoid creature.