Iconica analitica represents an abstract-figurative synthesis, based on two essential assumptions: the figurative vision of the
image on one hand, and its abstract dimension on the other. The pictorial
stratification obtained with the overlay of transparencies and luminous veils
wraps the morphological profile of the image, which cannot be precisely
identified and escapes any attempts to be recognized. What emerges from the transparencies of color
is thus the primordial mystery of the images which appear in the evanescent
space of the painting just at the point to reveal something, but far from
revealing. What really matters is not the revealed thing, but the process of
revealing itself.
