The Florbedo series (including paintings no. 3 – 6 and the accompanying bench object) delves into the ontological silence of spaces existing in a state of perpetual anticipation. These are dreamlike microworlds where biomorphic mutations and totemic objects define a new architecture of being without a direct human presence. These emptied scenes, constructed through glaze layers on raw sewn linen, are not dead places but vibrating organisms that "breathe" even in the absence of a figure. The physical bench object (Florbedo bench) acquires a ritual significance here—it serves as the sole anchor point in an unknown universe, a place of silent calling prepared for the "entry" of a consciousness that will bring a new order to this autonomous silence.
