Daughter I opens a portrait trilogy that reflects not a memory, but a relationship in motion. The figure appears as... Read More
Daughter I opens a portrait trilogy that reflects not a memory, but a relationship in motion. The figure appears as a soft, layered presence - partially formed, yet unmistakably there. Yellows and gentle pinks drift across the canvas, evoking the early stages of attachment, when the boundaries between self and other are still undefined. This painting does not document a child - it captures a state of closeness, shaped by time and felt through the body. It is a portrait of becoming, not nostalgia.
