In Daughter II, the relationship becomes more charged, more visible. The forms are bolder, the colors more intense, and the... Read More
In Daughter II, the relationship becomes more charged, more visible. The forms are bolder, the colors more intense, and the space feels tighter - as if the daughter is both stepping forward and pulling away. The brushwork reflects a moment of friction and self-assertion, a phase when independence begins to emerge within connection. Yet even in its urgency, the painting maintains tenderness. It does not resolve the tension, but honors it as part of growing.
