Assimilated subject

addresses the relationship between perception, mental projection, and the construction of identity through alterity. Based on the visual elements of the piece, a network of dripping intervenes the pictorial space, from which two human faces emerge in a linear confrontation. Both figures stare fixedly at each other in a specular symmetry where one face functions as the subject and the other as its projection, neutralizing the distinction between real identity and the projected image.

Within this framework, reality arrives already altered; the boundary between what is seen and what is assimilated begins to overlap. The technical lattice operates as the conceptual interference crossed by thought. The encounter of these gazes poses a phenomenological dilemma: to recognize or to ignore the exact point at which the subject's perception and the echo of their own memory become indistinguishable.